“Striking and Powerful:” <i>Beijing Besieged by Waste</i> Reviewed
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“Overwhelming Impact”: Review of <i>Beijing Besieged by Waste</i>
Pema Tseden and the Emergence of Tibetan Cinema
The New Yorker Praises Ying Liang’s <i>When Night Falls</i>
“An Observational Powerhouse:” Review of Zhao Liang’s <i>Crime and Punishment </i>
<i>Old Dog</i> a Hit at Brooklyn Film Festival; Screens Next Week at Northside Festival
“Remarkable” <i>Transition Period</i> reviewed in The Economist
Cinema Scope Magazine Honors Chinese Filmmakers among “50 Best Filmmakers Under 50”
Review: <i>When The Bough Breaks</i>
Review: <i>Ai Weiwei: Never Sorry </i>
Review: Pema Tseden’s Old Dog
Fujian Blue Available on Comcast On-Demand in January
“Getting the Past Out Loud”: Wu Wenguang’s Memory Project and New Voices In Docume
CIFF Roundup: John Berra Reports on Nanjing Festival
Review: <i>No. 89 Shimen Road</i>
Review: <i>Fangshan Church</i>, an Intimate Look at Christianity in China
<i>Winter Vacation</i> labeled “Crucial Viewing” at Chicago Doc Films
<i>Ghost Town</i> labeled “Crucial Viewing” at Chicago Doc Films
Three New Chinese Indie Docs Reviewed in Variety and Twitch
Review: <i>The Transition Period</i> shows the true power center of Chinese government