Huang Weikai’s Disorder explored in essay on Chinese black and white digital filmmaking
In the past two decades, an alternative film practice in China has actively engaged with digital media, yielding a robust body of DV works, fiction and non-fiction alike. In this article, I trace an evolving trend which uses a black and white â€šÃ„Ã²digital palette’, visible particularly in independent documentary, and I analyse its aesthetic and socio-political implications. Focusing on Huang Wenhai’s Meng you/Dream Walking (2005) and Huang Weikai’s Xianshi shi guoqu de weilai/Disorder (2009) and their different portrayals of the state of â€šÃ„Ã²dream walking’ on both individual and massive scales, I probe how they use black and white to move and push the sliding-door between realism, naturalism and surrealism as a means of redefining documentary realism and film-making in the digital era. These unique works boldly explore the new media to seek fitting texture and form for a turbulent postsocialist society bereft in chaos and confusion.
The Journal of Chinese Cinemas can be ordered at Intellect Books.
Full table of contents:
Margaret Hillenbrand Guest editor’s introduction
Margaret Hillenbrand Chromatic expressionism in contemporary Chinese-language cinema
Chris Berry Every colour red? Colour in the films of the Cultural Revolution model stage works
Jie Li Discoloured vestiges of history: Black and white in the age of colour cinema
Laikwan Pang Colour and utopia: The filmic portrayal of harvest in late Cultural Revolution narrative films
Jerome Silbergeld Ang Lee’s America, in living colour
Zhang Zhen Dream-walking in digital wasteland: Observations on the uses of black and white in Chinese independent documentary